Author Archives: Thomas Nielsen

Qsonix Q110 Digital Music Management System


Qsonix Q110

Behind a very long name lies a sleek, if somewhat conservative looking music server split in two – a desktop chassis with a CD-drive and a 15” or 17” touch screen. It supports 4 distinct zones that can be controlled separately, either from the touch screen or from a 3rd party remote [presumably via uPnP]. The server comes in 4 flavours from 250GB to 1.5TB. Files can be stored in lossless format and there is a digital output for attaching an external DAC at a resolution of up to 24bit/192KHz.

From the more unusual side of the feature set, we find not only CD burning but downscaling for iPod playlists and direct purchasing and download from Music Giants at full resolution. Not to mention the ability to play 1-second samples of arbitrary songs without interrupting whatever else is playing [except, of course, for the played sound sample].

Kupuk Zones

kupuk Those who own both a Sonos system and an iPhone or ipod Touch now have the option of controlling their Sonos system from not only the indeed very jazzy Sonos controller but from their phone as well.

Specializing in making software for the iPhone, Kupuk has done a very nice job of making this a slick interface. The program identifies Sonos zones and lets you control each individually. It doesn’t mirror the Sonos controller but is an interesting addition. The application can be found at the Apple iPhone App Store.

Avoca VIP Music Edition

Avoca The Avoca VIP Music Edition sports some pretty nice specs in a pretty case accompanied by a slightly less pretty PDA based controller. The media center rips CDs to Flac onto an internal disk, optionally mirrored, and serves files at up to 24bit/192KHz resolution depending on your choice of output, although it appears to support only 96KHz sampling rates, possibly upscaling from there. Could be a spec glitch, though.

One of the more curious aspects of the Avoca is the controller. You get to point and click your way through your music selection but that is not all; you can actually talk to your music system. Now how about that? “Hey! Turn down that racket, son! – Can’t hardly hear myself think!”… and sonny boy can rebel all he likes.

The Cullen Sonos mod

Reclocker Behind the curious title, lies the modification of the jitter in the original device by replacing the clock circuit and adding buffering. Reportedly this mod, which roughly doubles the price of your Sonos Zone Player, reduces jitter dramatically and makes the player a perfect source for a high-end DAC, effectively combining a WAF* bordering on the unbelievable with audiophile geekiness.

Incidentally; the company is not affiliated with Sonos despite its name-likeness with Sonos founder Thomas Cullen.

*An apparently misspelled acronym reading: Spouse Acceptance Factor.

The jitter bug

Jitter is a term often heard in relation with digital audio equipment but not something easily understood. After all, Fourier transforms are not exactly the first thing we learn in school, nor is it math that most of us ever get to use in real life.

First of all jitter is not one thing. Not surprisingly jitter refers to the same thing in digital signal processing as it does when referring to neurological diseases – tremors.

Talking about music, there are two types of jitter that cause problems: Seek jitter and clock jitter.

Seek jitter occurs when a CD player encounters a read error and tries to correct the error. In the process the sample stream is stopped and restarted but the stream may not be restarted in exactly the same place it was interrupted but may start early by a couple of samples, introducing false samples into the stream, or indeed omitting some that should be there. Seek jitter manifests itself by a notable clicking sound and is only present with traditional Red Book audio CD players. A good reason for keeping your CDs clean and correction at a minimum.

Clock jitter is less obvious but at the same time more ubiquitous. The analogue carrier signal sent between components in the signal chain, is optimally a square wave. A high voltage signals a 1 and a low signals a 0. The problem is that this square wave is inevitably distorted in the passing and the vertical edges loose steepness and the time at which a bit change is detected can vary ever so slightly – a bit like balancing a ball. That means that the precise moment in time were a change should take place can shift. “Okay”, you might say. “We loose a bit here and get another there – big deal”. Well, it could be a big deal. We might loose a low order bit somewhere, having barely any impact in a 16 or 24 bit word. No, the problem is getting or loosing a high order bit. That could mean the difference between 65,536 and 0 in a 16 bit world or between 16,777,216 and 0 in a 24 bit word. Exactly how that would impact a sound sample I cannot say; I assume it would depend on the protocol. But negligible is not exactly a word that springs to mind. The audible error you would get is one of extra frequencies around the one you would expect adding noise. With clock jittering this noise is mostly either a white noise embedded in the music or a few dominating frequency ranges.

Most often caused by analogue noise introduced many places in the signal chain, clock jitter is not something you remove using purple markers or nano-covered CD weights. It requires a clean-up of the signal path and that most often requires extensive electronics knowledge. But accepting that jitter is not just a figment of some over zealous, hi-fi interested health fanatic’s mind is a step on the way of selecting the right equipment and honouring the part of the signal path you yourself have some say over.

Firestone Audio Fubar II USB & Spitfire DACs

Spitfire The Firestone Audio line of products is a refreshing attack on the design style of Hi-Fi equipment – not unlike the world of downhill mountain biking [the world is split into four distinct elements: peat, dirt, sight and sound]. Within the scope of this blog, two Firestone Audio products are particularly interesting: The Firestone Audio Fubar II USB DAC and the Firestone Audio Spitfire DAC. The former comes in a choice of bright red or grey and the latter just in grey.

Fubar II The Fubar II is particularly useful as an external sound card for a PC, sporting a direct USB input as well as Toslink and coaxial inputs, all for a 16bit/48KHz conversion. Big brother Spitfire does not have a USB port but does offer a highly relieving bandaid in the form of a maximum resolution of 24bit/96KHz sampling rate. That makes the Spitfire a brilliant part of a chain starting with 2L’s hiRes Flac downloads.

Incidentally, there is also a Fubar III which has a built-in headphone amplifier.

This bird is flying

Hans Peter L'Orange and Morten Lindberg of Lindberg Lyd Norwegian recording and music production company Lindberg Lyd AS has expanded their online music store 2L to include 24bit Flac downloads as well – for the time being limited to a few selected albums. Their recording catalogue includes some rather impressive works and I simply cannot wait for them to be available in high resolution format for download. Albums can be downloaded in both stereo or 5.1 multi channel, either way in full 24bit/96KHz.

In their HiRes Download Test Bench, you can download individual tracks in several formats to judge recording quality, format performance or simply enjoy some wonderful music. Either way, expect some rather hefty file sizes that are just waiting to be thrown at a nice media streamer. Bon appetit!

By the way! 2L were responsible for releasing the world’s first Blu-ray music disc in May of this year featuring TrondheimSolistene playing 4 works at a blistering 24bit/192KHz resolution in stereo and in 5.1 surround. Slightly off topic but interesting nonetheless.

Pioneer PDX-Z9 SACD Receiver

[prodccat level=4 cd=1 flac=1 digital=1 upnp=1]

PDX-Z9 Pioneer have outdone themselves mating purist zen like styling and an outstanding feature set in this new SACD receiver. SACD receivers are not exactly one by the dozen in the first place and one that can receive audio streams certainly less so; not mentioning that it supports Flac albeit not the wildest of surprises since, after all, this is a SACD player. With a continuous 40W at 4Ω it is definitely no power station but it appears that Pioneer are signaling a new digital world order with this nice little device. They do have a new surround beast called SC-LX90 that does roughly the same as the PDX-Z9, only its 5 extraneous channels has caused some rather severe swelling, drastically impairing the zen stuff.

By the way, what is it with these product names? Do you remember Franquin’s comic series Spirou et Fantasio? Z comme Zorglub anyone? Ring a bell?

Music for Life

Ian Shaw …is what Linn label tag their record label. Some bold statement if you ask me but browsing their releases does indeed reveal some interesting recordings that would be nice candidates for that proverbial desert island you might end up on carrying only a record and an audio system, particularly SACD but also some more curious formats; not only can you buy Flac encoded downloadables, you can even buy complete NAS drives preloaded with with every single Linn recording available. One such drive is a 2TB QNap. Now, that is service – and novel. But for those of us less susceptible to quantity bargains there is still the option to download the records or individual tracks. One such album is Ian Shaw’s Lifejacket. Quite an interesting album slightly [remotely perhaps] reminiscent of a quirky fusion between Jethro Tull and Curtis Stigers, only much more lively. There are indeed some nice recordings there.

I already mentioned B&W Music Club where you can subscribe to special recordings from Peter Gabriel’s Real World Records. Linn’s initiative is rather of the same substance and just as focused on musical fidelity. Linn have won numerous critical acclamations over the years for their records – they too offer lossless downloads both in 16bit CD quality and 24bit studio master resolution. Needless to say, I am tempted to say – and thus do.

Sony NAS-SC55PKE

sonynas This is a complete system with zone system serving up to 5 rooms, ripping from CD and lossless streaming [LPCM, not Flac]. But like the Arcam or the Colorado vNet and unlike practically everybody else, this thing supports recording and streaming of analogue sources. Damn that is cool! It even support finger print recognition of analogue sources making it possible to tag tracks. Other strange analysis features include a 12 tone analysis-gizmo which can distinguish between talk and music. I wonder where the line is drawn between rap and sports commentary? Not to mention why you need to distinguish?

One thing that makes this device stand out, however, is what appears to be support for runtime conversion – the very thing I have asked for. It can publish tracks to a USB device. Since it can save tracks in LPCM when ripping and the publishing appears to be unconditional this must be the conclusion. Well done!

It has an FM radio and in some versions a DAB. The device supports recording from all sources onto the harddisk and can do it at set times.

The NAS-SC55PKE is the bigger brother in a duet of devices, with a heavily crippled smaller sibling. Big brother comes with a wireless client so you will have something to stream to. I shall refrain from mentioning the speakers that come with system.

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