Pioneer PDX-Z9 SACD Receiver

[prodccat level=4 cd=1 flac=1 digital=1 upnp=1]

PDX-Z9 Pioneer have outdone themselves mating purist zen like styling and an outstanding feature set in this new SACD receiver. SACD receivers are not exactly one by the dozen in the first place and one that can receive audio streams certainly less so; not mentioning that it supports Flac albeit not the wildest of surprises since, after all, this is a SACD player. With a continuous 40W at 4Ω it is definitely no power station but it appears that Pioneer are signaling a new digital world order with this nice little device. They do have a new surround beast called SC-LX90 that does roughly the same as the PDX-Z9, only its 5 extraneous channels has caused some rather severe swelling, drastically impairing the zen stuff.

By the way, what is it with these product names? Do you remember Franquin’s comic series Spirou et Fantasio? Z comme Zorglub anyone? Ring a bell?

Sony NAS-SC55PKE

sonynas This is a complete system with zone system serving up to 5 rooms, ripping from CD and lossless streaming [LPCM, not Flac]. But like the Arcam or the Colorado vNet and unlike practically everybody else, this thing supports recording and streaming of analogue sources. Damn that is cool! It even support finger print recognition of analogue sources making it possible to tag tracks. Other strange analysis features include a 12 tone analysis-gizmo which can distinguish between talk and music. I wonder where the line is drawn between rap and sports commentary? Not to mention why you need to distinguish?

One thing that makes this device stand out, however, is what appears to be support for runtime conversion – the very thing I have asked for. It can publish tracks to a USB device. Since it can save tracks in LPCM when ripping and the publishing appears to be unconditional this must be the conclusion. Well done!

It has an FM radio and in some versions a DAB. The device supports recording from all sources onto the harddisk and can do it at set times.

The NAS-SC55PKE is the bigger brother in a duet of devices, with a heavily crippled smaller sibling. Big brother comes with a wireless client so you will have something to stream to. I shall refrain from mentioning the speakers that come with system.

Impact Acoustics USB wall plate


usbsuperIf you have a USB device you need to connect to your media streamer and need to run it more than the 5 metres USB is usually capable of, Impact Acoustics offer a neat little wall plate kit that lets you run USB through twisted pair up to 50 metres. The end points fit a standard American wall plate but a bit of ingenuity should suffice to fit it in a European panel. This repeater is USB 1.1 compatible so it should actually be able to feed a DAC like the Bel Canto or Benchmark from a PC based media center stoved away in another room. Definitely worth a try.

Impact Acoustics offer a broad range of connectors, flush mount or on-cable.

Yamaha MCX-2000

Yamaha Like a bunch of other devices here, the Yamaha MCX-2000 offers CD ripping, storing and streaming. A total of 16 playback clients, including the server, is supported, letting you access music from its 160GB upgradable harddisk from just about every conceivable location. While it does not appear to support Flac it does support raw PCM letting you record and stream lossless audio.

Unlike most others it can write CDs as well.

Apple TV

Apple TV It just occurred to me that I had forgotten one of the major players in the field of digital media – Apple. Last year they canonballed their Apple TV into the arena and it really does deserve a mention.

The device is, as the name so subtly implies, primarily a video streamer. It can stream from internet services such as YouTube or movie rental services, as well as from an iTunes equipped computer. More interestingly, at least within this blog’s scope, is its audio support. While it doesn’t do Flac or Ogg-Vorbis, it does support Apple Lossless, which is just as good, if somewhat proprietary. In fact, B&W Music Club offer their recordings in Apple Lossless as well as Flac. Otherwise you will have to convert from other formats which can be excruciatingly tedious.

An obvious short coming, is that it requires an iTunes service to stream from. That means that it cannot stream from your average NAS disk, if any at all, but requires a computer be turned on somewhere. Making up for that it sports a 40GB or 160GB harddisk to hold tracks locally.

Philips NP1100 Streamium

NP1100 The Philips Streamium system has been extended with an internet radio, not entirely unlike the SLA5500 mentioned in the Terratec Noxon article. This time, however, the device looks a lot more together – it’s got a bit of bling, even. It doesn’t appear to support lossless encoding but it does recognize uPnP services on the network and connects both wirelessly and with twisted pair. On the output side there are 2 analogue outputs, headphone and line out, as well as a coax for digital connectivity.

Chord QBD76 DAC

QBD76 I mentioned the Chordette Gem earlier. Now this little diamond has spawned a big brother in the Chord QBD76 DAC. The QBD76 is a truly high end DAC as you would expect from Chord Electronics. The major addition to DACs in general and its predecessor alike, is a the very same thing that makes the Chordette Gem so original – Bluetooth reception. An abundance of digital inputs, including USB, makes it a versatile hub in your audio system even so; but Bluetooth A2DP support now adds your mobile phone to the equation.

Incidentally. If you remember the old Flash Gordon comics, do you not hear Dr. Zarkov exclaim while straightening his back and pointing: “Duck Flash! That rocket ship is armed with a QBD76!”?

Peachtree Audio Decco

Decco This is not your everyday device! Period. Well, exclamation mark, really. It is not a streamer but a DAC with an integrated 50W amplifier with a tube driven preamp. It has an USB to connect to a computer and an assortment of digital inputs for other digital devices. Add to that 2 analogue inputs and you have a centrepiece for your audio system.

Slotted Sonos Now to the digital inputs. The Decco supports the Sonos system in a queer way. Not by interfacing to the proprietary Sonos network, nor by responding specifically to the Sonos remote. No, no. It has a cavity in the back where you can slide in the unpowered Sonos ZP80 and connect it by coax. Out of sight – out of mind, they seem to have been thinking. That’s a new one.

Arcam FMJ|MS250 Music Server

Arcam MS250 A household name in hi-fi circles and it can hardly surprise anyone that Arcam too have a media streamer. It supports lossless encoding, even if it is unclear which formats. The MS250 contains a 400GB harddisk and ripping capabilities. Add to that streaming to 4 simultaneous zones and that in itself should be a nicely equipped addition to most audio systems. What makes this apparatus truly stand out is not its digital connections but its analogue input. It can actually record or stream from an analogue source – nifty! Really; consider streaming from your turntable to 4 different rooms… nifty!

Sooloos

Sooloos

The Sooloos system consists of three different components. The Store which is the actual disk, the Source which streams the music to up to 32 zones and the Control which is a 17” touch screen with a built in CD drive [“Music isn’t all zones, terabytes, and signal-to-noise ratios”, they say]. Additional controls in the form of a 7” remote or a 7” satellite are available.

The Sooloos is the second system I have come across that uses mirroring on its datastore. Considering that hopefully more and more music will be downloadable in lossless audio formats the backup implications become more challenging; in case of a disk crash, how do you get your music back? A CD is straight forward. Buy it again and rip it once more. With music from, let’s say the B&W Music Club, you are in a jam. You cannot simply redownload music from previous months. A backup is actually a very good thing to consider in these days of digital distribution.

An interesting and rather important point with the Sooloos system is that CDs are ripped as one large file rather than individual tracks. This ensures that when songs or, perhaps more importantly, musical movements are played in order, they are played with exactly the gaps they were supposed to. If you play individual tracks they are seeked at runtime, so the obvious shortcoming of this method has been taken care of.

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